Alma Tadema
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Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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franz liszt
smetana at bis piano

ID: 60349

franz liszt smetana at bis piano
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franz liszt smetana at bis piano


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franz liszt

Period: Romantic (1820-1869) Country: Hungary Born: October 22, 1811 in Raiding Died: July 31, 1886 in Bayreuth Genres: Chamber Music, Choral Music, Concerto, Keyboard Music, Miscellaneous Music, Orchestral Music, Symphony, Vocal Music   Related Paintings of franz liszt :. | Landscape with Aeneas on Delos (mk17) | schumann composing at his piano | Physician and a Woman PatientPhysician and a Woman Patient | Portrait of Baluni | Punishment of Haman |
Related Artists:
Veronese and Studio
b.Verona 1528 - d.Venice 1588
Alfred Elmore
Irish-born British Painter, 1815-1881 was a Victorian history and genre painter. He was born in Cork, Ireland, the son of Dr. John Richard Elmore, a surgeon who retired from the British Army to Clonakilty. His family moved to London, where Elmore studied at the Royal Academy of Arts. His early works were in the troubadour style of Richard Parkes Bonington, but he soon graduated to religious work, notably The Martyrdom of Thomas Becket, commissioned by Daniel O'Connell for Westland Row Church in Dublin. Between 1840 and 1844 Elmore travelled across Europe, visiting Munich, Venice, Bologna, and Florence. Elmore seems to have been associated with The Clique, a group of young artists who saw themselves as followers of Hogarth and David Wilkie. According to his friend William Powell Frith he was member of the group, but since it was most active while he was in continental Europe, his involvement was probably short-lived. Most of Elmore's later works were historical narrative paintings. Religious Controversy and The Novice were implicitly anti-Catholic in character. Other paintings set episodes from Shakespeare, or the history of the French Revolution. They often contained subtle explorations of the process of creation, most importantly his two paintings about technological innovation, The Invention of the Stocking Loom (1847, Nottingham Castle Museum) and The Invention of the Combing Machine (1862, Cartwright Hall, Bradford). Both portray the process of industrialisation by depicting picturesque pre-industrial handicrafts. The inventor is supposed to be pondering these manual skills while he forms in his mind a mechanism to replace them. Elmore's best-known work is On the Brink (1865; Fitzwilliam Museum, Cambridge), a moral genre painting depicting a young woman who has lost her money gambling, and is 'on the brink' of responding to the blandishments of a seducer, who is depicted as a satan-like figure,
Harriet Powers
African-American Textile Artist, 1837-1911






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